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Dante's Divine Comedy, by Seymour Chwast
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The "left-handed designer," Seymour Chwast has been putting his unparalleled take-and influence-on the world of illustration and design for the last half century. In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.
Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face.In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.
- Sales Rank: #1453782 in eBooks
- Published on: 2014-12-16
- Released on: 2014-12-16
- Format: Kindle eBook
Amazon.com Review
The "left-handed designer," Seymour Chwast has been putting his unparalleled take—and influence—on the world of illustration and design for the last half century. In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.
Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels through the afterlife, cataloging a multitude of sinners and saints—many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure—and eventually meeting both God and Lucifer face-to-face.
In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.
A Look Inside Dante's Divine Comedy: A Graphic Adaptation
(Click on Images to Enlarge)
Second circle of Hell Sins of the flesh The three furies Sixth circle of Hell
From Publishers Weekly
Starred Review. Famed artist and graphic designer Chwast has turned his talents to the graphic novel form for the first time, and we can all be happy about it. In a highly compressed version of Dante's Divine Comedy, Chwast takes us on a whirlwind tour of hell, purgatory, and heaven. With his signature mix of humor, artistry, and high-level design, he conveys a breathtaking amount of information in clear black and white line drawings. One graph illustrates "reasons for different levels of punishment," with sins ranging from "no self-control" (deemed "not so bad") to "insane brutality" (which is "terrible"). In another, the levels and regions of purgatory are laid out in an ascending birthday cake format. Much of the book is beautiful, with page design showing naked sinners tossed in a wind of words, a two-page spread of men and snakes wrapped in writhing battle, or a large flower made of angels as they fly from God. Dante himself is portrayed as a pipe-smoking detective type in sunglasses and a trench coat, while his guide, Virgil, wears a porkpie hat and wire-rimmed spectacles with his suit. It all works seamlessly as Chwast does a stunning job of telling Dante's story in his own brilliant style.
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From Booklist
Although legendary graphic designer and illustrator Chwast is pushing 80, he is still seeking new fields to conquer. For his first graphic novel, he tackles no less daunting a task than adapting Dante’s epic poem into comics format. Chwast hews closely to the original: guided by the Roman poet Virgil, the narrator travels through the circles of hell, meets Lucifer, traverses purgatory, and goes through the spheres of heaven before coming face-to-face with God himself. What Chwast contributes to the tale is an off-kilter, anachronistic approach—Dante is a pipe-smoking mug in a trench coat and shades, and Virgil sports a derby and cane—and, most of all, his distinctively simple, whimsically blunt drawing style and elegantly economical sense of design and composition, which makes each page its own visual treat. Chwast’s straightforward version holds wide appeal for readers wanting an experience less demanding than Dante’s original—it’s a Classics Illustrated with genuine panache—as well as grown-up fans of the 30-plus children’s books that Chwast has designed and illustrated over the years. --Gordon Flagg
Most helpful customer reviews
27 of 30 people found the following review helpful.
More for fans of Chwast's art than of Dante's writing
By Aaron Silverman
As a collection of drawings by an iconic illustrator, this is a great book. Granted, Chwast isn't for everyone, but fans will eat this up. As an adaptation of the Divine Comedy, well, it's OK but slight. Chwast's simple, straightforward black and white line drawings provide visual interpretations of the sights described by Dante, but much of the literary value of the work is lost. References to historical characters and their fates are brief at best. It's more like a simple travelogue. I was hoping for much more detail -- this is basically a quick synopsis. So while I didn't get much of the substance of the Divine Comedy from this, I did enjoy it as an art book.
4 of 4 people found the following review helpful.
As a longtime Chwast fan, I can't resist.
By Jim
I've been a fan of Seymour Chwast's illustration and design since the late sixties, which is when I started studying illustration and design at The School of Visual Arts in NYC. At that time, Push Pin Studios (today the Pushpin Group), which Chwast founded in 1954 with acclaimed graphic designer Milton Glaser, was right around the corner from the school, and I once came this close to getting into a night class taught by Chwast.
As a longtime fan of "the left-handed designer" (I too am left-handed), I find Chwast's graphic, black & white adaptation of Dante's Divine Comedy irresistible. It is funny and I laughed out loud several times when reading it. And it is also poignant; I had tears in my eyes when I read the final words about "the love that moves the sun and other stars." One can read the Divine Comedy from a religious or a secular perspective, and from the latter perspective and perhaps the former as well, it can be read as a story about the human condition. For me, the lightheartedness of Chwast's illustrations serve to offset rather than undermine the gravity of the story (if read as a story about the human condition).
This book will certainly be of interest to other fans of Chwast's work, and I think it would make a nice gift for anyone who is interested in (and/or creates) humorous illustration. Do note that as I mention above, the book is in black & white; only the covers are in color.
6 of 7 people found the following review helpful.
Cliff Notes Dante with Notebook Doodle Illustrations
By Monty Moonlight
Chwast's version of Dante's Divine Comedy is certainly not going to be for everyone. This graphic novel version is, naturally, more about the illustrations than the text, and this is a very not-too-wordy take. What we get is the poet Dante's journey through the afterlife with his spirit guides, the basic story intact, but only the most simplistic dialogue and narration. Still, this manages to be confusing at times in part by Chwast's choice to dress the characters as though they are from the 20th Century. In my opinion, the medieval man's point of view of a journey through Hell, Purgatory, and Paradise is bizarre enough, even when the dialogue is thoroughly dumbed down, without the need for making it more confusing by illustrating a flashback to the crusades with Sherman tanks and WWII soldiers. Well, that's just my opinion. It's still easy to follow and probably easier to understand than the original work, and though it's 127 pages (black and white), it's a VERY quick read. My biggest disappointment is with the art, and I shudder to go into this, being a much less successful cartoonist/illustrator myself. The art here is consistent, which is tricky no matter what your style, but the style itself, I don't know how to put it except to say it looks like a kid drew the whole thing. I look back on the first graphic novel I illustrated, and as much as I hate to see that crude example of my early work (and as harsh as I am on my current work), one thing I can say about the art here is that it really makes me feel good about my poorest creations and gives me hope for the future, when it doesn't flat out make me mad that I so rarely land a paying gig while this stuff sells.
At any rate, if you are in the market for a simple version of Dante's Divine Comedy, this is... an option. I can't say it's the best option. It may well be, but I don't know what else is out there for that. Look into what his, and keep this one in mind since it may be the simplest version out there, but don't be surprised at the underwhelming feeling you get when you receive your copy and open it up.
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