Senin, 27 Juni 2011

[N270.Ebook] PDF Download Digging In: Literature for Developing Writers, by Albert Garcia

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Digging In: Literature for Developing Writers, by Albert Garcia

Filling the gap for a developmental reader with literary selections, Digging In provides readers with enjoyable, accessible poems, short stories and essays to help them develop their reading and writing skills. The book features Before Reading prompts to start readers thinking about the topics and To Understand and To Write questions which follow the selections, as well as a list of Ideas for Writing that address the general theme of the chapter. The author provides a brief introduction to reading literature and poems, essays and short stories covering the following themes: family history; growing up/growing old; learning and teaching; the emotional side; works and dreams and issues/positions. For individuals interested in developing their reading and writing skills.

  • Sales Rank: #950727 in Books
  • Brand: Brand: Longman
  • Published on: 2003-09-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x .71" w x 5.43" l, .65 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

From the Back Cover

This book was written with the belief that teaching developmental composition with literature offers exciting possibilities for both students and instructors. Featuring poetry and short stories in addition to essays, DIGGING IN will engage your students like no other text. An introductory chapter on reading literature and a glossary following the last chapter give students all the resources they need to be successful.

Most of the readings are contemporary, and the topics cover a broad extent of human experience. The chapters—Family History. GrowingUp/Growing Old, Learning and Teaching, The Emotional Side, Work and Dreams, and Issues/Positions—offer instructors an opportunity to teach within a theme.

For each of the over 60 selections, the author has included:

  • A short biography of the author.
  • A Before Reading prompt. This prompt will start students thinking about the topic of the piece before they encounter the author's treatment of that topic, engaging them more thoroughly in the work.
  • To Understand questions. Some of these test a student's basic understanding of what has happened in the piece. Others require more critical thinking and ask students to ponder particular parts or aspects of the work.
  • To Write questions. These ask for personal responses to the literature.
  • Ideas for Writing. These writing prompts address the general theme of the chapter (though not one particular work) and are meant to offer opportunities for formal paper writing.

Excerpt. © Reprinted by permission. All rights reserved.
To the Instructor

If you are holding this book in your hands, you are at least considering the notion of teaching your developmental composition class with literary selections. I applaud you for this. For years I've been asking myself why we don't assign literature to our students who are just beginning to develop their writing skills. So much accessible and enjoyable fiction, poetry, and nonfiction could be offered to our students, yet traditionally we have taught our classes with the same kinds of readings they have been exposed to over and over again—articles about current issues. I don't intend to criticize that approach; one can certainly teach reading and writing skills successfully with that kind of text. However, I hope you agree that teaching developmental composition with literature offers exciting possibilities for both students and instructors.

What You Will Find in this Book

This book starts with an introduction to the three genres of literature I've included: poetry, short stories, and essays. (Certainly, drama is another important literary genre, but for space considerations, I have not included any plays.) This chapter gives students a brief introduction to reading literature with a focus on some essential questions they can ask of each genre. I offer the basic vocabulary for discussing literature but keep it deliberately simple and not focused on memorizing terms or concepts. More than anything, this chapter is aimed at helping students feel comfortable with literature.

The main feature of this book is the literature itself. I've included poems, short stories, and essays. You will find that most of the selections are accessible for students who are still developing their reading skills. A range exists, of course. Pieces like Tim O'Brien's "Beginning" might challenge students a bit, but I have taken care to choose selections that are generally comprehensible on a first read. Most of the readings are contemporary, by well-known and lesser-known writers, and the topics cover a broad extent of human experience. The chapters—Family History, Growing Up/Growing Old, Learning and Teaching, The Emotional Side, Work and Dreams, and Issues/Positions—offer instructors an opportunity to teach within a theme, although you will find that an individual selection in one chapter might easily have been placed in another.

Each chapter starts with a brief introduction to its theme and a preview of the literary selections. Students can read this to get a general sense of what they can look forward to in the chapter. Each selection of literature is preceded by a short biography of the author as well as a Before Reading prompt. This prompt will start students thinking about the topic of the piece before they encounter the author's treatment of that topic, engaging them more thoroughly in the work. Following each poem, story, or essay, students will find To Understand and To Write questions. Some of the To Understand questions test a student's basic understanding of what has happened in the piece. Others require more critical thinking and ask students to ponder particular parts or aspects of the work. The To Write questions ask for personal responses to the literature. These can be used in several ways. You can assign them as take-home journal assignments, or you might use them as quick-write prompts at the beginning of class. Either way, students will be more prepared for class discussion if they have done some writing in response to the literature. These prompts might also be used for formal writing assignments, depending on the goals you have for those assignments. In general, the language in both the To Understand and To Write questions is not the language of literary analysis nor of literary criticism. Students should be able to read the work and answer the questions without being intimidated by terminology or theory.

At the end of each chapter, you will find a list of Ideas for Writing. These writing prompts address the general theme of the chapter (though not one particular work) and are meant to offer opportunities for formal paper writing. You might have students choose one assignment (or you might choose one for them) after they have read all or some of the literary selections for that chapter. I've phrased these prompts so you can use them for paragraph or essay assignments, depending on the direction of your class.

A glossary following the last chapter is a final feature of this book. Although the literature in this text is quite accessible, you may find it helpful to direct your students to the glossary for words that are not familiar to them. Overall, I hope this book provides both students and instructors an enjoyable classroom experience.

— Albert Garcia

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Digging In: Literature for Developing Writers
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Though it took days to get to my house, I was satisfied with the quality of the book. It was used and I got it at a great price. I would definitely search for used books through amazon.

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Pages were good. Cover at bit folded but still good condition Thank you.

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Rabu, 22 Juni 2011

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  • Sales Rank: #1741730 in Books
  • Published on: 2006
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Sabtu, 18 Juni 2011

[M974.Ebook] Download Cosmopolitan Criticism: Oscar Wilde's Philosophy of Art, by Julia Prewitt Brown

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Cosmopolitan Criticism: Oscar Wilde's Philosophy of Art, by Julia Prewitt Brown

CALLING OSCAR WILDE'S philosophy of art his "most elusive legacy," Brown attempts to define Wilde's conception of what art is and what it is not, of what the experience of art means in the modern world, and of the contradictory relations between the work of art and the sphere of everyday ethics. She traces the experimental character of Wilde's thought from its resonance in his own life through its development within the tradition of aesthetic philosophy, ultimately focusing on his sense of the equivocal and diminishing presence of art in the postindustrial world.

  • Sales Rank: #2992913 in Books
  • Brand: Brand: University of Virginia Press
  • Published on: 1997-07-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .50" l, .60 pounds
  • Binding: Paperback
  • 137 pages
Features
  • Used Book in Good Condition

Review

Julia Prewitt Brown's study of Wilde's philosophy of art is much the best analysis yet performed of Wilde's crucial place in the tradition that goes from Schiller and Nietzsche, Baudelaire and Ruskin, on to Pater, Wilde, and Walter Benjamin. Brown usefully distances Wilde from Pater's aesthetic empiricism and returns him to Kant's critical idealism.

(Harold Bloom, Yale University)

At a time when apostles from all points along an ideological spectrum have denigrated art, criticism, and aesthetics, Julia Prewitt Brown has given us an elegant, persuasive, revisionary account of Oscar Wilde, a figure asnecessary to our own fin de siecle as to his own.... Placing him within the intellectual context of the German Romantics, the French Symbolistes, and his own Victorian contemporaries, Professor Brown proves herself a worthy practitioner of what Wilde labeled 'cosmopolitan criticism.'.

(Willard Spiegelman, Southern Methodist University)

About the Author

Julia Prewitt Brown is Associate Professor of English at Boston University

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Selasa, 14 Juni 2011

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The foreign policy of the United States is guided by deeply held beliefs, few of which are recognized much less subjected to rational analysis, Christopher J. Fettweis writes, in this, his third book. He identifies the foundations of those beliefs - fear, honor, glory, and hubris - and explains how they have inspired poor strategic decisions in Washington. He then proceeds to discuss their origins. The author analyzes recent foreign policy mistakes, including the Bay of Pigs, the Vietnam war, and the Iraq war, and he considers the decision-making process behind them, as well as the beliefs inspiring those decisions. The American government's strategic performance, Professor Fettweis argues, can be improved if these pathological beliefs are recognized and eliminated.

  • Sales Rank: #1454019 in Books
  • Published on: 2013-09-30
  • Released on: 2013-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .63" w x 5.98" l, .95 pounds
  • Binding: Paperback
  • 315 pages

About the Author
Christopher J. Fettweis is Associate Professor of Political Science at Tulane University. He is the author of Dangerous Times?: The International Politics of Great Power Peace (2010) and Losing Hurts Twice as Bad: The Four Stages to Moving beyond Iraq (2008).

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Jumat, 10 Juni 2011

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The Devil You Know: A Felix Castor Novel, vol 1

  • Published on: 1600
  • Binding: Paperback

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Selasa, 07 Juni 2011

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

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  • Published on: 2015-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.31" w x 6.14" l, 2.26 pounds
  • Binding: Hardcover
  • 610 pages

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0 of 0 people found the following review helpful.
As advertised
By J. D. Clark
As advertised and in good overall condition for a repaint.
Also it was a good delivery time; with the package coming all at once and from half way across the world.

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Senin, 06 Juni 2011

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At last, a full-color, easy-to-follow cookbook devoted to soups! No more searching through cookbooks to find a certain soup-all the soups you will ever want to make or eat are featured here in this stunning collection. This comprehensive cookbook contains over 200 recipes from all around the world: from the classic Cream of Tomato to a spicy Louisiana Gumbo; a rich Italian Wild Mushroom Soup to a hot Jalapeño-style soup from Mexico. Also featured are a Caribbean Vegetable Soup with green bananas, yam and chayote squash and Moroccan Harira with lamb chickpeas and traditional spices. Divided into six chapters, The Soup Bible includes inspiring soups for every occasion. Choose from refreshing summer soups and hearty winter warmers. Select an intensely flavored soup for a delicious appetizer or a nutritious broth for a healthy lunch or snack. Make a smooth bisque to impress your guests or cook up a chunky soup-big enough to be a meal in itself. The introduction highlights step-by-step recipes for a range of stocks, from vegetarian to beef and Japanese to seafood, to make nutritious and delicious bases for your soups. Garnishes are suggested for the perfect finishing touches. Each recipe in this highly illustrated book contains clearly photographed step-by-step instructions and an enticing photograph of the finished dish-which means that even the most intricate soup is within your grasp. Vegetarian soups are highlighted, so you won't have to scrutinize ingredients lists just to find a suitable recipe. With nearly 800 color photographs, informative text, easy-to-follow steps and a superb collection of recipes, The Soup Bible is essential guide to the art of soup-making and a necessary addition to any kitchen.

  • Sales Rank: #1280740 in Books
  • Published on: 2011
  • Number of items: 1
  • Binding: Hardcover
  • 256 pages

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34 of 35 people found the following review helpful.
Soup's On!
By J. Vilches
The Soup Bible is a wonderful collection of soup recipes divided into six sections: light & refreshing, rich & creamy, warming winter, hearty lunch, one-pot-meals, and special occasion. The variety is excellent, and there are soups from around the world. The front section on making stocks is very helpful as it includes not only the standard vegetable, chicken and meat stocks, but also fish stock and stocks for Chinese and Japanese cooking.

Each recipe comes with beautiful end-result pictures as well as pictures of some of the steps involved. The directions are clear and simple. Many of the recipes come with suggestions for variations and all of the vegetarian selections are marked. Most of the soups use easy-to-find ingredients, but the exceptions often have tips on where to find the unfamiliar items.

I've tried several of the recipes with no problems and delicious results. One of my personal favorites is the Tomato and Blue Cheese Soup. I'm looking forward to cooking and eating my way through these soups.

26 of 26 people found the following review helpful.
Some great soups, some not so great
By Candice Garrett
I've had this book now for a few years. I've made about half of the soups and I could say with certainty that 50% of them are really great. The other 50% are lacking. The pictures are gorgeous, and I appreciate the photographs (why so many cookbooks fail to include photos for every recipe, I can't guess). But some of the soups are very bland, even though the picture is pretty. I have found myself tinkering with the recipes, trying to add some flavor, and have begun to recognize that the soups without spices are really unexciting. Still, a good buy, lots of options to choose from.

18 of 18 people found the following review helpful.
A World Tour of Soups
By Creole Cat
When the days become long, the body becomes lethargic and even the tar is beginning to melt, the last place one wants to be is in a hot kitchen. Summer is the season for quick, light meals that don't take a lot of time, but restore your energy. But if you do have to get into the kitchen, rather than throwing together the customary salad, how about a bowl of soup after that dip in the pool?

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Special Occasion: Butternut Squash Bisque, Tomato and Fresh Basil Soup, Spinach and Rice Soup (a nice and sneaky way for parents to add a vegetable in a meal for those picky-eater kids) and Saffron-Mussel Soup.

The book is full of exquisite, mouth-watering photographs and even the soup bowls both rustic and elegant are beautifully displayed.

With over 200 recipes to prepare for friends and family, it's a world tour of soups.

Fresh bread required.

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Minggu, 05 Juni 2011

[A582.Ebook] Free Ebook Icon as Communion: The Ideals and Compositional Principles of Icon Painting, by George Kordis

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Notes and observations on the drawing stage in icon painting. The chief objective was to present the thought underlying the Byzantine artistic system, and how this is expressed in the handling of the face, the human figure, and the composition.

  • Sales Rank: #431714 in Books
  • Published on: 2011-02-28
  • Binding: Paperback
  • 110 pages

About the Author
George Kordis is Assistant Professor of Iconography (Theory and Practice) at the University of Athens (Greece). In addition, he teaches the art of icon painting at the Athens School of Art. He is Visiting Professor at the Yale Institute of Sacred Music's summer program; at the University of Art and Design in Cluj Napoca, Romania; at the School of Theology of Bucharest, Romania; and at the Pedagogical University of Odessa, Ukraine.

Most helpful customer reviews

23 of 23 people found the following review helpful.
Wonderful book
By yaya
I highly recommend this book to anyone interested in icons. Unlike other icon painting books this one deals with the compositional layout of the icons instead of how to paint them. Other books, many of which are very good for learning to paint icons, really fall down when it comes to design. You basically have to copy old icons. Not that it's bad to copy (in icon painting it is the accepted way to learn), but at some point icon artists are going to want to mature into designing their own. This book will be a great help for that. It is thoroughly orthodox and yet is able to teach freedom within a traditional framework.

In addition, the drawings that are included are truly exquisite.

16 of 18 people found the following review helpful.
No iconographer should be without this book
By Fr. Photios
This book is very unique. It deals with the drawing and composition of Byzantine icons. There is literally nothing else like it around in English. I thought it was a very valuable technical resource once you chewed through the theory. His painting style isn't much to my tastes, but his approach to drawing and composition are to be emulated. This book should be studied and memorized before anyone even attempts to paint an icon. My teacher (Fr. Patrick Doolan) always told me, "A good drawing equals a good Icon".

Fr. Photios
[...]

5 of 5 people found the following review helpful.
He develops his argument in such a way that one can easily remember the distinguishing aspects of a Byzantine line
By dmlq48
George Kordis, Icon As Communion: The Ideals and Compositional Principles of Icon Painting, translated by Caroline Makropoulos (Brookline: Holy Cross Orthodox Press, 2010). Pp. 102. Paperback $19.95.

This book doesn’t focus on the theology of the icon itself, but rather it focuses on the theology of the line. By connecting the way the line is drawn to Orthodox theology, he is able to distinguish a Byzantine style that sets it a part from other styles of art. What he does is actually quite remarkable. He develops his argument in such a way that one can easily remember the distinguishing aspects of a Byzantine line, yet, at the same time, he’s teaching the reader about key Orthodox theological points. It’s like getting two birds with one stone – the reader learns about God and art at the same time.

Kordis’s thesis is based upon the doctrine of salvation: theosis (deification – or becoming god by grace). Theosis is the participation of humanity in the energies of God, rather than the nature (essence) of God. This participation is a movement by both God and humanity towards each other, and this movement is communion. However, it’s not human nature as a whole that has to move towards God, but rather each individual, who is a specific existence, also known as a “hypostasis.” Here’s where it gets really exciting.

Each line drawn in an icon distinguishes the various forms (garments, facial features, buildings, etc.), thus giving each form a specific "hypostasis." If lines didn’t do this, you’d just have blobs of color. However, each of these lines, each of these hypostases, have to work harmoniously together to give the whole composition meaning. When drawn well, the lines generate movement and energy, which draws the viewer into a relationship with the icon. Kordis also writes that each hypostasis has to be reconciled with the whole composition. This means that it looses its individual autonomy to acquire a common energy and a common point of reference. He says that in this way each line is purified of its passion. If this didn't happen, you'd have a work of Picasso rather than an icon.

Wow! This describes the Christian life perfectly. We, as individuals, are a part of human nature, but human nature doesn’t exist as a thing by itself. Human nature needs a specific mode of existence, such as an individual, i.e., hypostasis. Yet, the process of salvation is to do the will of God. We learn to do this by conforming our individuality to his will, or, in short, we loose our individual autonomy to acquire a common energy. In short, just like the line in an icon that seeks to reconcile itself to be a part of the larger composition, we too seek to reconcile ourselves to God so that we can be a part of the larger composition, which is participation in the energies, or life, of God. When we loose our independence to exist in harmony with God, then we are not static, but rather we exist in a relationship and have communion with God.

This brings us full circle – the icon as communion. Of course Kordis goes on to talk about what sort of lines fit this profile and what lines do not (and why). He also goes on to talk about the overall composition of an icon and how it must have balance. Because the Prosopon School of Iconology (in New York City) has a large influence in the Orthodox iconology world (especially in the United States), let me compare Kordis’s argument to them. The Prosopon School develops their theology also in terms of deification. However, their theology centers on color and how color is built up in such a way as to transfigure the individual ("In your light, we shall see light"). What the Prosopon School is to color, Kordis is to line. In short, I believe both schools of thought are complimentary and I’d love to see someone bring them together.

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Sabtu, 04 Juni 2011

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The Thief Who Knocked on Sorrow's Gate (The Amra Thetys Series) (Volume 3), by Michael McClung

The third installment in the Amra Thetys series: After surviving Thagoth and returning rich to Lucernis, Amra and Holgren have settled down to a very comfortable, if decidedly unexciting life -- until the night Amra receives an old enemy's head in a box. A longstanding debt calls her back home to Bellarius, the scene of many childhood horrors she would much rather forget about. But as bad as memories of the past might be, present-day Bellarius is rapidly becoming worse, for the Eightfold Goddess has not forgotten about Amra, and another of Her Blades, the Knife that Parts the Night, has been discovered and threatens to tear the very fabric of reality apart. All that stands in the way of utter destruction is one small, scarred thief and her mage companion...

  • Sales Rank: #3208752 in Books
  • Published on: 2015-01-14
  • Original language: English
  • Dimensions: 8.50" h x .61" w x 5.50" l,
  • Binding: Paperback
  • 242 pages

About the Author
Michael McClung was born and raised in Texas, but now kicks around Southeast Asia. He's been a soldier, a cook, a book store manager, and a bowling alley pin boy. His first novel was published by Random House in 2003. In his spare time, he enjoys kickball, brooding and picking scabs.

Most helpful customer reviews

1 of 1 people found the following review helpful.
The Thief Who Knocked on Sorrow's Gate
By Amazon Customer
This has been one of the most interesting and exciting books I have read.

The heroine is so engaging and surprising and the cast of characters around her so unusual. The storyline keeps your imagination in high gear and you just can't wait to see what comes next.

This is truly a story of good against evil. Having said this, the heroine is far from a saint but with all the right intentions in the end.

Anyone who enjoys magic, heroes, villains and the struggle of good against evil will enjoy this book. It was almost impossible to put down any of the 3 books in this series. Can't wait to read the next book in this series, due out sometime this year.

1 of 1 people found the following review helpful.
Wow
By N. Jimenez
All I have to say is WHY?! I hate cliffhangers and this is one doozy of a cliffhanger. I am literally waiting on tenterhooks.

2 of 3 people found the following review helpful.
Fantastic!
By Deacon D.
The grisly contents of an anonymous package sends Amra on a reluctant journey to her homeland, Bellarius, where her quest to settle an old debt with a childhood friend sets the stage for another exciting and mysterious adventure.

This third installment in the fantastic Amra Thetys series delves deeper than ever before into the history of our favorite thief-turned-heroine, exploring the horrors of Amra's childhood in Bellarius while also revealing some secrets of her incredible destiny.

Michael McClung continues to amaze me with this brilliantly conceived and artfully executed fantasy series...a constantly compelling blend of gritty realism, sword and sorcery action, and sly humor. These stories are true treasures, must-reads for lovers of the genre.

See all 13 customer reviews...

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Rabu, 01 Juni 2011

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Hysterical Hysterectomy, by Marion Hughes

Hysterical Hysterectomy, by Marion Hughes



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Before you go for a hysterectomy, you really should have a handbook of what will happen and what you will be expecting when it's been done to you! A hysterectomy is no laughing matter and should be approached with heaps of humour. Essential reading, Hysterical Hysterectomy will make the whole procedure a safer more enjoyable experience Oh, how I wish that I had this book before I went into hospital for my hysterectomy! We are talking major surgery here. If you or anyone you know is having or thinking about having a hysterectomy this is a must read. Knowledge in this situation is like gold, major surgery should automatically demand extensive literature, but in this case sadly not. Great book with super ways of looking at the situation before and after surgery.

  • Sales Rank: #997871 in Books
  • Published on: 2013-02-07
  • Released on: 2013-02-07
  • Original language: English
  • Dimensions: 6.88" h x .12" w x 4.25" l,
  • Binding: Paperback
  • 52 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
pamphlet, really.
By Nancy E. Griffin
Was a very short book. I don't know what I was expecting honestly. Cute, but didn't really answer any questions.

0 of 0 people found the following review helpful.
Surgery that's no fun outlined in a book filled with Love and Laughter
By Acashic
Essential reading, Hysterical Hysterectomy will make the whole procedure a safer more enjoyable experience

Oh, how I wish that I had this book before I went into hospital for my hysterectomy! We are talking major surgery here.

If you or anyone you know is having or thinking about having a hysterectomy this is a must read.

Knowledge in this situation is like gold, major surgery should automatically demand extensive literature, but in this case sadly not.

Great book with super ways of looking at the situation before and after surgery.

0 of 0 people found the following review helpful.
Meh...
By Diana A. Gurgens
It was cute and all, but nothing more than a few pages. And, in all honesty, it was nothing more than information that could be found by doing a Google search. I felt like I was ripped off - pretty sure my husband could write this book.

See all 4 customer reviews...

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